NO HOPE (CHAOS)

In contrast to NO HOPE (ORDER) this project, rooted in my dissertation, explores the Graphic Art end of a spectrum, contrasting it with graphic design. 
I took an unfinished piece and placed it within this context, aiming to evoke an overwhelming feeling.  
The chaotic layering of elements creates a visual experience where a focal point exists, yet each glance reveals new details, mirroring the disorienting nature of hopelessness.
MAGNEZIUM
Magnezium is an ethically driven fashion brand creating high-end, utilitarian accessories designed for durability, style, and sustainability.
2025
FINSILK
Finsilk, a pioneering bio-material developed by Made by J. Nudd, showcases utilising fish gelatine to create fully compostable materials, offering a sustainable and ethical alternative that supports the local fishing industry.
2025
'TAKE A LOOK'
A Magazine Design Concept showcasing the process and thoughts of different perspectives on Neurodiversity and Mental Health.
2024
REDEFINE
Global Challenges Project: Men's mental health app designed to offer round-the-clock access to support and create a safe, communal space.
2024
WIGGLE DISPLAY
Wiggle Display' evolved from the Swithick exploration by maintaining the circle and triangle constraint and using a single continuous line to create new, distinct letterforms.
2025
FLOURISH WITH FOX
Branding and logo for Flourish with Fox, a comprehensive wellness service that combines counselling, life coaching, and personal training.
2024
CRASH (FLUIDITY)
Using 3D modelling, this graphic Art project introduces movement to represent the feeling of being overwhelmed.
2025
CRASH (STATIC)
Visualising Overthinking: This graphic design piece visualises the escalating nature of overthinking through a sequence of static shots.
2025
Made By J.Nudd
Made by J’Nudd is a design-led initiative innovatively using local bio-materials, blending tradition with research for sustainable, eco-conscious, and community-minded design. It has two sub-brands, Finsilk and Yard & Dye, and their grounded yet hopeful approach prioritises a local-first ethos.
2025
NO HOPE (ORDER)
Focusing on graphic design, this project uses controlled typography and juxtaposition to capture the feeling of being overwhelmed.
2025
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