Machew Designs | Matthew Essery - NO HOPE (CHAOS)

NO HOPE (CHAOS)

In contrast to NO HOPE (ORDER) this project, rooted in my dissertation, explores the Graphic Art end of a spectrum, contrasting it with graphic design.

I took an unfinished piece and placed it within this context, aiming to evoke an overwhelming feeling.

The chaotic layering of elements creates a visual experience where a focal point exists, yet each glance reveals new details, mirroring the disorienting nature of hopelessness.

Magnezium is an ethically driven fashion brand creating high-end, utilitarian accessories designed for durability, style, and sustainability.

A typeface that evolves from 2D to 3D, exploring form, materiality, and brand integration through a single continuous line.

ONE SMILE (PERSONAL)

Spreading Positivity: This graphic art project aims to convey the power of a smile.

SWITHICK TYPEFACE

Swithick: An 'anti-type' typeface experiment using only three circles and a triangle on Helvetica, investigating Swiss design versus creative freedom.

Made by J’Nudd is a design-led initiative innovatively using local bio-materials, blending tradition with research for sustainable, eco-conscious, and community-minded design. It has two sub-brands, Finsilk and Yard & Dye, and their grounded yet hopeful approach prioritises a local-first ethos.

Wiggle Display' evolved from the Swithick exploration by maintaining the circle and triangle constraint and using a single continuous line to create new, distinct letterforms.

ONE SMILE (COMMERCIAL)

Dentistry Branding: This graphic design project created a clean, clinical brand identity for a dentistry service.

Shake-Up, a children's dairy milkshake brand launching in 2024, Branding project, Delivering 3D carton mock-ups, advertising materials, and promotions.

Visualising Overthinking: This graphic design piece visualises the escalating nature of overthinking through a sequence of static shots.

I developed Wiggle Curve from the original Wiggle Sans by using a single continuous line to create more fluid, legible forms, adding greater movement and curvature, and successfully translating the typeface into 3D prints.

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