CRASH (FLUIDITY) 

In contrast to CRASH (STATIC), this project adopts a Graphic Art approach, 
introducing movement to a previously still concept. 
Inspired by the feeling of being overwhelmed by a wave, I used 3D modelling to represent the mind and body's experience. Spirals, twists, and lines embody the sensation of being submerged by overwhelming thoughts.
SHAKE UP
Shake-Up, a children's dairy milkshake brand launching in 2024, Branding project, Delivering 3D carton mock-ups, advertising materials, and promotions.
2024
'TAKE A LOOK'
A Magazine Design Concept showcasing the process and thoughts of different perspectives on Neurodiversity and Mental Health.
2024
YARD & DYE
Operating under Made by J. Nudd, Yard & Dye skilfully explores natural dyes and fibres.
2025
MAGNEZIUM
Magnezium is an ethically driven fashion brand creating high-end, utilitarian accessories designed for durability, style, and sustainability.
2025
NO HOPE (CHAOS)
This project explores the chaotic side of graphic art, using layered elements to visually represent the disorienting feeling of hopelessness.
2025
FINSILK
Finsilk, a pioneering bio-material developed by Made by J. Nudd, showcases utilising fish gelatine to create fully compostable materials, offering a sustainable and ethical alternative that supports the local fishing industry.
2025
SWITHICK TYPEFACE
Swithick: An 'anti-type' typeface experiment using only three circles and a triangle on Helvetica, investigating Swiss design versus creative freedom.
2025
NO HOPE (ORDER)
Focusing on graphic design, this project uses controlled typography and juxtaposition to capture the feeling of being overwhelmed.
2025
Made By J.Nudd
Made by J’Nudd is a design-led initiative innovatively using local bio-materials, blending tradition with research for sustainable, eco-conscious, and community-minded design. It has two sub-brands, Finsilk and Yard & Dye, and their grounded yet hopeful approach prioritises a local-first ethos.
2025
WIGGLE DISPLAY
Wiggle Display' evolved from the Swithick exploration by maintaining the circle and triangle constraint and using a single continuous line to create new, distinct letterforms.
2025
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